I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.
I first read Josef K.'s haunting tale when I was a teenager. I hadn’t read anything by Kafka before and was initially quite frustrated because it wasn’t clear what the hell was going on, which, in retrospect, is rather the point.
I read this book again about five years ago and still found it a disturbing reflection on how society dehumanises the individual, often with no rhyme or reason, one might say Kafkaesque. Interestingly, I found it even more relatable as an adult.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
This was a great book, probably my favorite by Chuck Palahniuk. I love how all the characters are oddball outsiders, mostly just trying to get by in life by any means necessary. They are obsessive, misguided, and all drowning in their own flawed existence to some degree.
It’s also laugh-out-loud funny in some parts and disturbingly grotesque in others. I especially enjoyed the portrait of Victor’s inner emptiness, as he essentially feeds off his own issues as a form of survival.
Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need…
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.
There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
I was late discovering this book; I’ve read it twice now, but the first time was only about five years ago. I was shocked when I first read it; it feels as if PTSD has been distilled into book form.
The way the narrative bounces around, like an alarming reflection of a shattered mind, was quite an inspiring concept. I’m glad not to be Billy Pilgrim, who is brutalised and traumatised by unfathomable absurdities. Knowing that Vonnegut was a POW in Dresden, an event that kicks off the book, gives it an even darker edge for me.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
It took me over twenty years to finish this book; I hated the first chapter that much. Every time I tried to read it, I gave up before even reaching the second chapter. When I finally pushed through, it was well worth it. Ironically, within that time frame, many of the darker dystopian narratives about pleasure and the illusion of freedom seem to have come true.
I was especially fascinated by the second protagonist, John the Savage. His alienation from the world into which he is suddenly submerged is deeply relatable. The struggle between the self and a society one views with disgust feels all too true, and far too relevant.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
This book is a psychological literary fiction novel that follows the inner turbulence of William "Bill" Eckersley as he attempts to achieve his dream of finishing his first novel. Struggling with isolation, alcoholism, and the steady disintegration of his own psychological health, he begins to slowly unravel.
Set in a small British seaside town, it explores the struggle of an everyday working-class man who dares to dream as he navigates his way through a world that often borders on the absurd.
